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American Gigolo is a 1980 American neo-noir[5] crime drama film written and directed by Paul Schrader and starring Richard Gere and Lauren Hutton. It tells the story about a high-priced escort in Los Angeles (Gere) who becomes romantically involved with a prominent politician's wife (Hutton), while simultaneously becoming the prime suspect in a murder case.

The film is notable for establishing Gere as a leading man, and was one of the first mainstream Hollywood films to include frontal male nudity from its main star. It is also notable for its Golden Globe Award–nominated musical score, composed by Giorgio Moroder, and number-one single "Call Me" by Blondie. Schrader considers it one of four similar films, which he calls "double bookends": Taxi Driver, bookended by Light Sleeper, and American Gigolo bookended by The Walker.[6]

Plot[]

Julian Kay is a male escort in Los Angeles whose clientele is upper-class women. His job supports and requires an expensive taste in cars and clothes and affords him a luxury Westwood apartment. He is blatantly materialistic, narcissistic and superficial. He takes pleasure in his work from being able to sexually satisfy women, offering and selling his body to women.

Julian's procurer, Anne, sends him on an assignment with a wealthy old widow, Mrs. Dobrun, who is visiting town. Afterwards, he goes to the hotel bar and meets Michelle Stratton, a California state senator's wife, who becomes obsessed with him. Julian's pimp Leon sends him to Palm Springs on a "substitute" assignment to the house of Mr. Rheiman, a wealthy financier. Rheiman asks Julian to have sado-masochistic sex with his wife Judy while he is watching them. The next day, Julian berates Leon for sending him to a "rough trick" and makes it clear he declines kinky or gay assignments. Leon warns Julian that the wealthy, older women he serves will turn on him and discard him without a second thought.

As Julian begins to have a relationship with Michelle, he learns that Judy Rheiman has been murdered. Los Angeles Police Department Detective Sunday identifies Julian as the prime suspect. Though Julian was with Lisa Williams, another client, on the night of the murder, she protects her marriage by not providing an alibi for Julian.

Julian discovers evidence about the murder. He realizes that he is being framed and grows increasingly desperate. His clothes become rumpled, he goes unshaven and drives a cheap rental car (after painstakingly searching his Mercedes and finding Judy's jewelry that was planted in it to frame him). He neglects to pick up an important client for Anne that he had been scheduled to escort, angering Anne and causing her to shun him. Julian warns Michelle that he is in trouble and, hoping to protect her, he tells her to leave him alone.

Julian concludes that Leon and Rheiman are the ones trying to frame him and that one of Leon's other gigolos was the murderer. Julian goes to confront Leon, telling him the truth and trying to clear his name. Leon refuses to help him and remains implacable. In a fit of rage, Julian pushes Leon from the apartment balcony; although Julian immediately regrets his action and tries to save him, Leon nevertheless falls to his death. With no one to help him, Julian ends up in jail, helplessly awaiting trial for Judy's murder. Michelle reconciles with Julian by telling the police that she was with Julian the night of Judy's murder, sacrificing her reputation and marriage to save him.

Cast[]

  • Richard Gere as Julian Kay
  • Lauren Hutton as Michelle Stratton
  • Bill Duke as Leon James
  • Hector Elizondo as Detective Joe Sunday
  • Frances Bergen as Mrs. Laudner
  • Carol Bruce as Mrs. Sloan
  • K Callan as Lisa Williams
  • Carole Cook as Mrs. Dobrun
  • Cindy Morgan as Jillian Summerset
  • David Cryer as Lieutenant Curtis
  • Richard Derr as Mr. Williams
  • Nina van Pallandt as Anne
  • Robert Wightman as Floyd Wicker


Production[]

Paul Schrader first conceived of the idea for the film while teaching screenwriting at UCLA's film and television department.[1] The script was one of five screenplays Schrader wrote in 1976.[1] Schrader commented, "The character in ‘Taxi Driver’ was compulsively nonsexual. The character in ‘American Gigolo’ is compulsively sexual. He is a man who receives his identity by giving sexual pleasure but has no concept of receiving sexual pleasure.”[7]

John Travolta was originally attached to the lead role, with his casting announced by the Los Angeles Times in January 1978.[1] Travolta was provided a wardrobe by Giorgio Armani and appeared in a photo spread for the trade publication Variety announcing his participation.[1][8] The following year, Travolta dropped out of the production to deal with his mother's death and father's illness.[1][8]

In Travolta's absence, Barry Diller of Paramount Pictures offered the part of Julian Kay to Christopher Reeve, but Reeve turned down the million-dollar offer.[9] Chevy Chase was also offered the role but declined.[10] Schrader offered the part to his first choice, Richard Gere, who accepted.[8][11][12] Gere was cast two weeks before shooting began.[12] In 2012, Gere said he was drawn to the role partly because of its gay subtext, commenting,

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This is not the only role Travolta turned down only to be taken by Gere: it had happened with Days of Heaven (1978) and occurred again when Travolta was offered the lead in An Officer and a Gentleman (1982) and Chicago (2002).[13][14] Gere's brief nude scenes marked the first time a major Hollywood actor was frontally nude in a film.[15][16] According to Gere, the nudity was not in the original script.

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Julie Christie was originally cast in the role of Michelle Stratton but her departure was precipitated by Gere's replacement of Travolta.[17] By the time Gere was cast, Lauren Hutton had already been hired. Meryl Streep was also offered the part of Michelle but declined because she did not like the tone of the film.[18] Glenn Close also auditioned for a role when Travolta was still attached.[19]

Schrader called Pickpocket (1959) by the French director Robert Bresson an influence on the film; the composition of the final shot pays homage to that film, as does the final dialogue.[20][21][22][23][24] Schrader later provided an introduction to the Criterion Collection DVD of Pickpocket. On the film's ending, Schrader writes: "At the end of American Gigolo, I wanted to perversely plunge my lizardy protagonist into icy Bressonian waters, so I lifted the ending of Pickpocket and gave it to Julian Kay. A grace note as unwarranted as Christ's promise to the thief on the cross".[25] Schrader re-visited many of the themes of American Gigolo in his 2007 film The Walker and says the idea for that film came about while wondering what would have become of the Julian Kay character.[26][27]

The film is widely credited to have established the Giorgio Armani brand in Hollywood because the Italian designer's clothes are featured prominently in Julian Kay's wardrobe. When Gere replaced Travolta as Julian, the designer's team had to make new clothing for him as Travolta is 6 ft 2 in (188 cm) tall, a few inches taller than Gere.[28][29]

Filming began on 13 February 1979 and lasted until April 1979.[1]

Soundtrack[]

Template:See The film's musical score was composed by Giorgio Moroder, who was nominated for the Golden Globe Award for Best Original Score. The main theme song of the film is "Call Me" performed by Blondie. The song was written by Moroder and Blondie vocalist Debbie Harry, and became a huge worldwide success in 1980. It peaked at number one in several countries including the US and the UK, and became the highest-selling single of 1980 in the United States. In 1981, the song was also nominated for a Grammy Award for Best Rock Performance by a Duo or Group with Vocal. Moroder and Harry further shared a nomination for the Golden Globe Award for Best Original Song.[30]

Reception[]

Roger Ebert gave the film 3.5 stars out of 4, writing, "The whole movie has a winning sadness about it; take away the story's sensational aspects and what you have is a study in loneliness."[31] Gene Siskel of the Chicago Tribune also awarded 3.5 stars out of 4 and called it "an honest, compelling drama that sheds a little light in some beguilingly dark places."[32] Vincent Canby of The New York Times wrote in a negative review that writer-director Schrader "is awfully good at establishing inarticulate, unknowing, self-deluding characters, but he's much less effective when it comes to shepherding these characters through the contingencies of the melodrama that is supposed to ennoble them or, at least, to reveal their unsuspected moral resources."[33] Variety faulted the film for an "evasiveness at its core," finding a "moral and emotional ambivalence" in Gere's character "which makes caring about his predicament and ultimate fate difficult."[34] Charles Champlin of the Los Angeles Times was also negative, calling the film "such an improbable tissue of fantasies and dime-novel borrowings that from moment to moment it seems to be making fun of itself, although the joke is disguised perfectly."[35] Roger Angell of The New Yorker wrote that the film "presents a humorless, Penthouse kind of sex, all dolled up with expensive 'real' settings, foreign cars, hi-fi sets, and designer clothes, but barely alive at its glum, soft core."[36]

Template:Rotten Tomatoes prose

Television series[]

Main article: American Gigolo (television series)

In October 2014, Jerry Bruckheimer announced plans to adapt the film into a television series.[37] In October 2016, it was announced that Neil Labute will write the series for Showtime.[38] On June 15, 2021, Showtime gave production series order consists of ten episodes. David Hollander will be writing, directing, and showrunning the series. He is also expected to executive produced alongside Jerry Bruckheimer, Jonathan Littman, and KristieAnne Reed.[39] Jon Bernthal, Rosie O’Donnell, Lizzie Brocheré, and Leland Orser were cast in starring roles while Wayne Brady was cast to guest star.[40]

See also[]

  • American Gigolo (soundtrack)
  • Male prostitution
  • Gigolo
  • Male prostitution in the arts
  • Female sex tourism
  • Romantic Noy

References[]

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 "American Gigolo – Details". American Film Institute.
  2. "The Unstoppables". Spy. November 1988. p. 92.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  3. "American Gigolo". Box Office Mojo.
  4. "American Gigolo (1980) – Financial Information". The Numbers.
  5. Schwartz, Ronald (2005). Neo-noir: The New Film Noir Style from Psycho to Collateral. Rowman & Littlefield. ISBN 978-0-8108-5676-9. 
  6. "American Cinema of the 70s". The Story of Film: An Odyssey. Season 1. 2011. Event occurs at 28 minutes in. More4.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  7. "Travolta to Play a Gigolo", The New York Times, 3 May 1978. (in en-US) 
  8. 8.0 8.1 8.2 Anolik, Lili (February 8, 2020). "Call Me!" (en). Air Mail.
  9. Holley, Joe. "A Leading Man for Spinal Cord Research", October 12, 2004, p. A01. 
  10. "The Lost Roles of Chevy Chase". Vulture (September 22, 2011).
  11. Segell, Michael (March 6, 1980). "Richard Gere: Heart-Breaker". Rolling Stone. Archived from the original on December 5, 2020. Retrieved January 15, 2022.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  12. 12.0 12.1 Karger, Dave (31 August 2012). "Richard Gere on Gere" (en). EW.com.
  13. Gilbey, Ryan (17 February 2009). "Who's next for a Mickey Rourke-style comeback?". The Guardian.
  14. Lawrence, Will (June 30, 2007). "Travolta as you've never seen him before.". Times Online.
  15. Persall, Steve. "Male movie stars' naughty bits are nothing new", March 7, 2009. 
  16. Dirks, T (2009). "History of Sex in Cinema: The Greatest and Most Influential Sexual Films and Scenes (Part 27)". Filmsite.org.
  17. Easton Ellis, Bret (2019). White. Knopf, page 29. ISBN 9780525656319. 
  18. Smurthwaite, Nick (1984). The Meryl Streep Story. Beaufort Books. <templatestyles src="Module:Citation/CS1/styles.css" /><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>ISBN 978-0-8253-0229-9.
  19. "Glenn Close recalls 'horrible and humiliating' American Gigolo audition" (en-GB). Yahoo! Style UK (14 April 2021).
  20. Thompson, Rick. "Pickpocket". Senses of Cinema.
  21. Auty, Chris. "Robert Bresson's Pickpocket". Film Forum.
  22. Johnston, Sheila (5 October 2006). "Film-makers on film: Paul Schrader". The Telegraph.
  23. Dawson, Tom (3 April 2005). "Pickpocket review". BBC.
  24. Schrader, Paul (November 2007). "Robert Bresson: Alias Grace". Sight & Sound. British Film Institute.
  25. Schrader, Paul. Collected Screenplays 1. Faber and Faber, 2002, p. viii.
  26. Schrader, Paul. "The Walker". Landmark Theatres.
  27. Malcolm, Derek (8 September 2007). "American gigolo in the frame". London Evening Standard.
  28. Suton, Koraljka. "'American Gigolo' (1980): Paul Schrader's Character Study on Loneliness that Established Richard Gere as a Leading Man" (en-US). NeoText.
  29. "American Gigolo: Armani Gere". Clothes on Film (5 May 2012).
  30. "American Gigolo". Goldenglobes.com.
  31. Ebert, Roger. "American Gigolo". RogerEbert.com.
  32. Siskel, Gene (February 1, 1980). "'Gigolo' airs the dirty linen of the silken set". Chicago Tribune. Section 4, p. 3.
  33. Canby, Vincent. "Screen: 'American Gigolo,' a Southern California Melodrama", February 1, 1980, p. C14. 
  34. "American Gigolo" (en-US). Variety (31 December 1979).
  35. Champlin, Charles (February 1, 1980). "'American Gigolo'—Love 'Em And Leave". Los Angeles Times. Part V, p. 1.
  36. Angell, Roger (February 4, 1980). "The Current Cinema". The New Yorker. p. 108.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  37. "Jerry Bruckheimer Adapting 'American Gigolo' for Paramount TV". The Hollywood Reporter (October 29, 2014).
  38. "American Gigolo' TV Series Adaptation Set At Showtime From Paramount TV, Jerry Bruckheimer & Neil LaBute". Deadline (2016-11-02).
  39. Ausiello, Michael (June 15, 2021). "American Gigolo: Jon Bernthal-Led Reboot Scores 10-Episode Series Order at Showtime — First Look". TVLine.
  40. Petski, Denise (June 15, 2021). "'American Gigolo' Reboot Starring Jon Bernthal Gets Showtime Series Order". Deadline Hollywood.

External links[]

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